ETC Source Four Series 2 Lustr LED Light with Shutter Barrel from ETC is an LED fixture that uses the seven-color x7 system with 60 Luxeon Rebel LEDs to create quality light in a range of colors.

Broncolor Pulso G 3200 J strobe light with a maximum load capacity of 3’200 J

Part of Arri’s True Blue series, the D5 HMI 575W Fresnel Head stays true to its Arri roots with its compact size, while reducing weight and maximizing light output. True Blue heads also feature a new cross-cooling system–lamp housing temp is reduced 25%; lens temp, 17%. A redesigned stirrup and improved tilt lock make using Chimera or similar light modifiers a breeze.

This kit includes the Astera AX1 Pixel Tube charging case and 8 Pixel tubes. The case of charging is to simultaneously charge 8 Astera tubes.

The Broncolor 1600 w / s MobiLED lamp is extremely compact, weighs very little and has an excellent quality / price ratio.

This black True Blue D25 2500W HMI Fresnel from ARRI is another example of their completely redesigned True Blue series. The 10″ Fresnel with a beam angle variable from 6-59° is protected with stainless steel mesh. Pressure die-cast and extruded aluminum alloy components make the D25 lighter without sacrificing strength while improving corrosion resistance.

The M8 HMI System II with High Speed Ballast from ARRI provides the core components you’ll need for dynamic high speed shooting. The kit includes an M8 lamp head with MAX technology and the EB 575/800W 1,000Hz High Speed Ballast.

The Arri T2 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular.
When mounted with a 2000 watt bulb, this device will provide a 1.4 m beam of 470 fc diameter from a distance of 6 m to the maximum point. A full range (same distance) of a radius of6.9 m in diameter.

Nanlux DYNO 650C soft RGBW LED has a wide color temperature range of 2700 to 20,000 K and CRI of 98.

With reduced weight, compact size and maximum light output, this TRUE BLUE Daylight series sets a new standard for professional lighting equipment.

A true soft light with outstanding power and performance, Gemini 1×1 features over 16.7 million colors, and 11 cinematic lighting effects instantly available at the touch of a button as well as full-spectrum white light from 2,700K to 10,000K CCT.

Each head is a powerful, bright 100 W LED. It can be connected together piece by piece. Suitable for stage, clubs and other entertainment venues.

The Arri T1 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular workhorses for over two decades.
When fitted with a 1000-watt bulb (available separately) this fixture will provide a 2.8′ (0.9 m) diameter beam of 409 fc from a distance of 20′ (6.1 m) at full spot. At full flood (same distance), it will provide a 48 fc, 20.4′ (6.2 m) diameter beam

The ARRI L7-C light consumes only 160 W and retains all the features of the series such as the adjustment from 2800 to 10000 K.

The Profoto A1X Flash is designed to support light shaping capabilities and thanks to the round shape of the head it allows for soft and delicate lighting, but at the same time natural and beautiful.

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

Litepanels Gemini 2×1 Soft RGBWW features 3 lighting modes. CCT color temperature control has 6 factory presets in increments from 2700 to 6000K.

he Nanlite Forza 720B Two-Tone and Dimmable LED Light – 800 W provides a balanced light output 2700 – 6500 K while maintaining a high CRI / TLCI average of 96/97.

The M40 can be fitted with a 2,500 or 4,000W single-ended HMI lamp, making it a very versatile lighting fixture.

The 40° snapgrid for Gemini 2×1 Soft LED RGBWW light fits directly into Gemini 2 x 1 products. Dimensions: 64 x 33 x 8 cm.

This LED panel light, with LED technology mounted on the surface, includes ultra bright 1152 piece LEDs. The built-in diffuser generates an equally widespread area, which is an ideal light source for studio and field video productions.